Tuesday, February 19, 2013

"The Permit" Now Available as an E-Book




Contact: Lisa Mayo-DeRiso
               Mayo & Associates
               702.576.2659
               mayoderiso@aol.com

                                                                                    FOR IMMEDIATE RELEASE



THE PERMIT PUBLISHED
                                                              
Written By William B. Scott
Inspired by the Real-World Murder
 of His Son, Erik Scott, by Las Vegas Police Officers

LAS VEGAS (February 20, 2013) – The murder of a beloved son, a quest for truth and justice usurped by a broken legal system, and the battle with both grief and a blatant cover-up, led author William B. Scott to create a fictional tale rooted in every parent’s nightmare. The result is The Permit, a compelling techno-thriller novel based on the real-world murder of Erik Scott, who was gunned down by Las Vegas Metropolitan Police officers in front of a suburban Costco store in July 2010.

The Permit is available now as an e-book at the iBookstore, Amazon.com, Smashwords.com, and BarnesandNoble.com.


Enthusiastic advance praise for The Permit, a fast-moving, high-tech thriller that sets a new benchmark for “Justice through Fiction:”

“With The Permit, Scott has taken personal tragedy and fashioned it into a work of art. He has expertly woven a complex story of intrigue into the thinly veiled account of his son Erik's 2010 Las Vegas ‘murder by cop.’ A heartbreaking tale, you can feel the love between the lines, but Scott never overdoes it with sentimentality, instead taking revenge by writing against the terrible injustices that befell his family. I…am awed that he was able to turn tragedy into triumph, which is just another example of his skill as a writer. A real page-turner.”  - Cathy Brown, Brooklyn, NY

“An important real-time story written by an excellent writer. The author’s ability to retain your attention and convey the circumstances through well-chosen words is superb. Recommend this easy read to all. It was hard to put this book down. The issues are relevant to the gun discussions today and our changing societal values.” – James M. Stewart

-more-


“My son, Erik, was murdered, because a BlackBerry in his hand was mistaken for a firearm. That senseless tragedy was magnified by a transparent cover-up orchestrated to protect his killers and a Cartel of Corruption that controls Las Vegas,” said William B. Scott, bestselling author and Erik Scott’s father. “When it became apparent that the traditional ‘legal’ process was failing my family, I turned to an effective asymmetric-warfare vehicle for revealing truth: Entertainment. A story that blended fact and fiction would expose the Cartel by showcasing its brutal methods and warped objectives. It’s a proven tool called ‘Justice through Fiction.’

“Writing The Permit was also a way of grieving—my route to healing,” Scott added. “Through a blending of fact with fiction, Permit lets readers experience a dad’s range of emotions, from crushing grief, anger and frustration to the satisfaction of seeing justice ultimately delivered by a covert government agency employing cutting-edge, ‘black world’ high-tech weapons.”

The Permit launches a series of techno-thriller novels that builds on a unique theme: “Fiction as a Legal Weapon.”     


About William B. Scott
William B. (Bill) Scott is a full-time author. A former flight test engineer and aerospace journalist, he retired as the Rocky Mountain Bureau Chief for Aviation Week & Space Technology, following a 22-year career with the international magazine. He lives in Colorado Springs, writing and building the “Fiction as a Legal Weapon” brand of techno-thrillers based on a premise established in The Permit.

Monday, February 18, 2013

Police Brutality - Sheriff Mack Speaks Out



There is not one police or sheriff’s vehicle left in the country that bears the words “To Serve & Protect” emblazoned on the side.  Thanks to the Homeland Security Terrorism Department, and massive cash infusions into state and local law enforcement departments, these words have been intentionally scrapped and replaced with enlarged graphics simply reading “SHERIFF or (your town) POLICE”.
No longer the heros of our childhood, our local law enforcement agencies have morphed into para-military organizations whose personnel, in most cases, believe that the law does not apply to them.  After watching this short video, it is apparent that the officers involved are acting in a manner indicative of someone who believes that no matter how egregious their actions, they will not be held accountable—and in most cases, they are not.
This video is indicative of what happens when you allow the wearing of a badge to override the law.

Friday, February 8, 2013

Las Vegas Sun Story - The Permit - 2/8/13


Fictionalized account of son’s shooting by Metro Police cathartic for author
STEVE MARCUS
Bill Scott, father of Erik Scott, leaves the courtroom after a verdict in a coroner’s inquest for Erik Scott at the Regional Justice Center Tuesday, September 28, 2010. The jury found that the shooting of Erik Scott was justified. Scott was shot and killed by Metro Police Officers at the Summerlin Costco store on July 10.
By Joe Schoenmann (contact)
Published Friday, Feb. 8, 2013 | 2 a.m.
Updated 3 hours, 42 minutes ago





COURTESY PHOTO
The book cover design for "The Permit" written by William B. Scott.

A new book by the father of Erik Scott, the 38-year-old shot to death by three Metro Police officers in July 2010, describes a corrupt power structure in Las Vegas — much of it within the police department — few care to imagine.
In "The Permit," author William Scott's fictionalized account, police here routinely dump bodies of young women into mine shafts for extra cash from the casinos.
It's so ugly that when one of the nation’s secretive three-letter agencies is enlisted by the president to cleanse the nation’s police agencies of bad cops — deemed domestic terrorists — it begins in Las Vegas.
Scott, a 66-year-old former writer for Aviation Week & Space Technology, admits the book became an outlet for the pain, still evident in his voice almost three years later, of enduring the burial of a son and what he believes was a bad shooting coverup orchestrated by Metro brass.
He is quick to add that while facts and figures about police shootings around the nation, as well as some of the technologies used by the espionage agency, are real, the characters in the book are composites of several people he has known over many years.
Even so, the book helped him deal with life without his son.
Here’s how he describes “Officer Krupa,” who fired the first shots at "Erik Steele":
• • •
Olek Krupa, a two-time killer, was one of Metro's "crazies," yet another blight on the department's seriously tarnished image. The jerk didn’t deserve to wear a Metro badge, but he was going to get away with killing an upstanding American patriot.
• • •
“It was cathartic for sure,” Scott said Wednesday by phone. “But there was a purpose to it, too — to assure the ‘cartel of corruption’ in Las Vegas that there is no escaping justice. They are incredibly smug in Vegas. Look at Captain Cover-Up, whom I will not identify, and see how cocky and smug he is on camera because they know Metro controls every officer and public official in Vegas.”
The “cartel” in the book consists of the sheriff’s department, the district attorney, the county public administrator, casino chiefs and, to some degree, the police union. Dialogue between officers is entertaining, if mostly dark. Here’s an exchange between officers involved in the Steele shooting days later:
• • •
“Hey, you look like hell, rookie!” Krupa said, smacking Malovic’s upper arm.
“Old lady holding out on ya?” Malovic shot the guy a withering glance. The comment was too close to painful truth.
“I … haven’t slept much.”
Krupa laughed, a cross between a rasp and giggle. “Awwww! Boo-hoo! Rookie got a spell of guilty conscience, and mama’s bitchin' about her darlin’ killing a perp?”
Malovic left the closet, ignoring Krupa's taunts.
“What’s keepin’ ya awake, rookie? First time ya ever shot somebody?”
Malovic crossed his arms and looked down at the pot-bellied officer. “Yeah, it is. Of course, you hosed that dude in oh-six, so no big deal. Kill once, and the next time's a piece of cake, right?”
• • •
Most of the real people from agencies mentioned in the book hadn’t heard about it when contacted earlier this week.
Sgt. John Sheahan, of Metro’s Office of Public Information, said Tuesday afternoon, “The sheriff had nothing but empathy for William Scott when (the shooting) happened; we’re not going to revisit this issue anymore or engage in a tit-for-tat.”
Chris Collins, Police Protective Association executive director, chuckled when told of the Scott's book.
“I don’t have any comment other than to say he certainly has a right to write a book,” Collins added. “If he gets some kind of solace and closure out of that, because I know he dropped his litigation because he wasn’t going to win — if this is his way of getting closure and eases the pain of his family, so be it.”
Scott dropped a civil lawsuit against Metro but one against Costco is still pending.
David Roger, who was Clark County district attorney at the time of the Erik Scott shooting and who now works for the police union, could not be reached for comment.
"The Permit" talks not only of the “Steele” shooting but includes a shooting death three weeks earlier of "Lashawn Miles," who was unarmed but shot in the head by an officer in his bathroom. In the book, both Steele and Miles were part of the federal spy agency.
In real life, three weeks before the Erik Scott shooting, a Metro officer shot to death Trevon Cole in his bathroom while flushing marijuana.
Before getting to the vengeance part of the book — some of the high-tech methods used to kill police and others, Scott writes in a beginning note, “do exist” — characters in the book lay out the reasons why rogue officers are considered terrorist threats.
It goes something like this: Bad cops erode the trust of the citizenry; when that trust erodes, the criminal element moves in, knowing people won’t call police for help. So crime grows. Now throw in a weak economy and large unemployment. Here’s how a character in the book describes what might happen next:
• • •
When the big-money honchos flush it, a hundred thousand folks will suddenly be out of work, on the streets, and royally pissed off. A spark like young Steele’s murder-by-cop, at precisely the right time and place, will blow Vegas to smither-frickin’-reens.
Metro’s killer cops will be hunted down by pickup-loads of armed-and-furious folks, and all-out war will erupt. The first casualties will be hundreds of Metro's brown-shirts, including a hell of a lot of good ones.”
• • •
Fiction?
Scott thinks it could happen.
“My message is, they cannot escape the fury of honest citizens and God himself; these guys are not going to get away with it,” Scott said. “You kill, you lie, you die. Now that’s not a threat to anybody. I wouldn’t want anyone to die. It is just an assurance that once citizens have had enough of their killer cops and their corrupt coverups, they will rise up and put these guys out of business.”
Sheriff Doug Gillespie reported in early January a 9 percent increase in crime in 2012 versus 2011.
Meanwhile, however, police shootings have decreased markedly in Las Vegas in just one year. After 17 Metro Police shootings resulted in 12 deaths in 2011, five police shootings resulted in four deaths in 2012.
The U.S. Justice Department also released a study of Metro in late 2012 recommending dozens of changes aimed at reducing police shootings. Before that study’s release, Metro had already begun undertaking several of the same or similar changes.
Scott said there was some interest in his book as a screenplay. He also plans to write a nonfiction book about his son’s death, which he said would prove a coverup.
He wrote the fictional account first, he said, because of an experience he had in the mid-2000s while writing for Aviation Week. At the time, various defense agency operatives were expressing their worries that in the event of war, a strike on military satellites would be devastating to U.S. defense capabilities.
Scott wrote about it in Aviation Week, but it barely registered with the nation’s powerbrokers, congressional leaders.
So he co-authored the book "Space Wars: The First Six Hours of World War III." In 2009, the authors wrote a followup "Counter-Space: The Next Hours of World War III." The books drew so much attention in Washington, D.C., Scott said, he was asked to address a congressional committee and later was asked to talk to people within the Central Intelligence Agency about some of the technologies at work in the books.
The experience taught Scott that “fiction is a very powerful tool for shaping perceptions.”
With such a lesson in mind, he stressed that though varying degrees of harm come to some characters in "The Permit," he doesn’t wish harm on anyone in reality; he simply wants justice.
“There are some things worse than death,” he added.
Asked what that means, Scott declined to answer.
("The Permit" is available electronically on Amazon.com and other websites; it is also going to be available in hardcover.)

Wednesday, February 6, 2013

"The Permit" Is Now Available as an E-Book

A revised version of "The Permit" was recently published as an "e-book," and is now available through  major commercial outlets, such as Smashwords.com, Amazon.com and the iBookstore. It will soon be available at BarnesandNoble.com, as well.

The e-book can be downloaded to most commercial e-readers, such as the Kindle, iPad, Nook, Sony e-reader, Kobo, etc., or as a PDF that can be read on any computer.

The as-published version is about 15,000 words shorter than what was serialized here, and the e-book contains a number of new scenarios and plot elements. Consequently, the version that appeared online over the past year has been removed.

A major publisher is currently reviewing the manuscript, and may release "Permit" in hardcopy-print within the next year.

I hope you enjoy "The Permit" in its revised, updated form.

Cheers,
William B. Scott